Monday, January 23, 2017

Everything You Need to Know About The "In-Between Trilogy"

During the years of 2011-2013, I released what would become the foundation of my magnum opus, The Coming Evil Trilogy.

The series that started it all...

Set in the small town of Greensboro, the Trilogy deals with an already beleaguered community that comes under siege by a demonic presence known only as "The Strange Man". To combat him, a group of heroes from various walks of life have to overcome their own personal demons to discover a faith strong enough to push back the Strange Man and his legion of devils. The Coming Evil was conceived back in 1999, and it was my way of combining 1980s Saturday matinee creature features with a story about faith, doubt, and ultimately, redemption.

But there is a heated speech that the Strange Man utters in Chapter 9 of Dark Hour, the third and final installment of that trilogy:

"Oh, you never mean to. You just pose your questions and make your debates and you think you have such a grasp of the world around you, but you have no idea. You can’t even begin to understand the places in between, the unknowable depths of eternity, the mind-shattering realizations that wait just beyond your rather limited peripheral understanding of space and time. What are you, huh? You people! You’re just dust! Dirt thrown together and given breath and yet you think you are owed explanations? You think you deserve to be in charge?" 

Since the final book in  The Coming Evil Trilogy was published in 2013, I have been writing the story of that space "in between" the worlds, and with the recent release of my new supernatural thriller Infernal City, a new thematic trilogy is finished.

WHAT'S IN A NAME?

The unofficially labeled "In-Between Trilogy" derives its name from the fact that all books involved deal with that dark space "in between" the worlds of the multiverse, as first mentioned in Dark Hour. It is also labeled thus as it fits nicely "in between" The Coming Evil...and my NEXT Trilogy, which I am currently writing.

The installments of this thematic trilogy--that is, Rift Jump (Volumes 1 & 2), Infernal City, and HITMEN: Four Tales of Magick, Monsters, and Murder--represent my creative journey to writing The Coming Evil. Rift Jump (or a version thereof) was begun when I was in high school and was the first story that I claimed. Later, in 1996-1998, when I realized I wanted to be a horror screenwriter, Infernal City (or "Soul Decision", as it was known before some boy band came out and stole my blasted title--I mean, seriously, what were the odds of that?) was the first script I wrote--with hopes of producing it myself at the age of 19 or 20 (I was pretty naive). I hung my hat on that script for a long time before I realized I did not have the proper connections, the money, or the equipment to produce a professional film on my own. So I found another outlet for moviemaking--home movies. As has been stated elsewhere, I set out to create a no-budget horror epic, just for me and my friends. From that simple mission statement, HITMEN was born. The novel bearing the same name is, really, just an elaborated adaptation of those original home movies.

These were three important phases of my creative development, all leading me to 1999/2000, when I began writing the first draft of The Coming Evil. I am not a guy to let things go, so I knew that, once The Coming Evil was finished, I would return to those old ideas that I cut my teeth on, dust them off, give them a polish, and release them--but now as part of the mythology begun in The Coming Evil.

This "In-Between Trilogy" interconnects, asking questions in one episode, answering them in another. They intersect at multiple points, weaving an intricate story web, though they are standalone stories with their own unique casts of characters, as well as plots and resolutions. This trilogy-of-sorts can be read in any order--all leading to that strange storm that kicks off The Coming Evil. Having said that, here's my personally preferred order of reading, the one that I think offers the most bang for your buck in picking up the various threads, themes, characters, and locations. There are far too many Easter Eggs and connections for me to list here (and part of the fun is discovering it for yourself), but here's a handy guide to get you started.

ROMANCE AT THE EDGE OF FOREVER

Greensboro and its battle against the Strange Man is only a small conflict in a much larger war. In the Rift Jump duology (Volumes 1 & 2, respectively), we pull way back to reveal just how big a war that truly is. These stories take you to the very edge of the cosmos, where we learn that Greensboro belongs to a reality that is only one of many in an infinite multiverse of parallel realities. We are introduced to star-crossed lovers Michael and Sara, two teenage runaways who travel the multiverse together, trying to stay two steps ahead of some unfathomable evil that lurks in the dark spaces in between the worlds. This Evil is looking for something--namely the means of his escape, as the multiverse is his prison--and believes that Michael and Sara are the key.

Teen love and angst in the multiverse!

On the surface, this sci-fi series seems a far cry from the "small town horror" of The Coming Evil. Readers will be whisked away to many bizarre and alternate worlds in a constant barrage of adventure, meeting costumed superheroes, robots, aliens, and demons. I've often compared it to a dark Doctor Who meets Lovecraft kind of tale, with enough cosmic horrors to keep the reader's head spinning. While "weird", the themes and struggles of its love-drunk protagonists as they make war against an outside Evil--and the darkness in their own hearts--will be instantly recognizable to fans of The Coming Evil.

Over the course of these two volumes, we learn that one world, in particular, holds great meaning for this Cosmic Evil. A very familiar world to us, where there is a City where it never stops raining, and lost souls can see their dreams come true...for a terrible price.

FOOL FOR THE CITY

This narrative thread leads us to my brand new novel, Infernal City. The massive scope of Rift Jump comes into sharper focus here. Now, knowing what we do about that Thing in between the worlds, we find our way back to the Earth of The Coming Evil Trilogy. Lurking beneath the City is a sleeping beast that hungers for souls. We are introduced to Quinn Holbrook, a down-on-his-luck ex-boxer who is employed by the City's representative--known simply as "Mac"--to retrieve those who would sell their souls to the City for wealth and pleasure, and then try to run out once the bill comes due. When Quinn is tasked with hunting one of these "Runners" who's hiding in the idyllic community of Watcher's Grove (a close neighbor to Greensboro), he begins to learn the truth of that Thing Beneath the City.

The new release!

In Infernal City, we, too, begin to get a clearer picture of the greater threat that is posed to our heroes back in The Coming Evil. Aesthetically, Infernal City is the closest of my novels to The Coming Evil. We're in familiar territory, in a small town plagued by a demonic force--with quite a few twists and turns along the way. This is a noir detective story, a thriller, and a romance told in Quinn's own words. And as Quinn starts to question his place in the shadowy underbelly of our story world, we are going to plunge headlong into that darkness for the third and final installment of our thematic trilogy.

SHADES OF GREY

Moral ambiguity abounds as a complicated tale of forgiveness is told in HITMEN: Four Tales of Magick. Monsters, and Murder. This book, itself, is a collection of four novellas that build upon one another, telling the bloody saga of Eli Ross, a hitman who has a crisis of faith that is precipitated by the appearance of a mysterious, hulking figure that has begun a campaign of slaughter against the criminal underworld's biggest players. Along the way, we meet world-weary Vinnie Caponi: Urban Mythologist, his young idealistic apprentice, Flynn, and the untamed criminal heiress Marcie, who has her fair share of secrets--as well as a tight hold on Eli's heart. These four unlikely heroes find themselves in the malevolent path of the Blue Skull--a supernatural killing machine--and must uncover the shocking truth behind his rampage and put an end to his reign of terror before they fall victim to his brutality. Adding to their problems is a villain who escaped the final chapters of Infernal City to come make trouble for our heroes...
A world of shadows...

HITMEN could be considered "darker" than what most people are accustomed to reading from me. Heroes are sometimes harder to discern, and the lines between good and evil blur. It explores the occult connections of my mythology, and the violence is cranked up a few notches. It's an unabashedly gory novel, and to some of my faithful readers' chagrin, it also contains a rarity in my fiction: coarse language and sex. Even at that, the language and sensuality used is safely within a PG-13 rating, but I realize that for some, that's too much. Nevertheless, this is a story of killers and thieves in conflict with their baser natures. HITMEN is about breaking through the darkness of the world you know, escaping the traps of your past to find a new fate. The road to redemption is never easy, and rarely pretty. These are damaged people in dark places, and the language and subject matter of the book reflects that, but is meant to ultimately serve a redemptive purpose.

HITMEN leads us the nearest to The Coming Evil, taking place just a couple months before the start of that original trilogy, and sections of the action even take place in Greensboro, itself. Readers will recognize some familiar places and faces, setting the stage for The Coming Evil.

WHAT'S NEXT?

Ultimately, the "In-Between Trilogy" reveals a larger world and conflict than seen in the original trilogy, and points to the cosmic importance of the events of Greensboro. It also raises many questions--questions that I am in the process of addressing in my next sequence of novels. There are many exciting mysteries left to reveal in Greensboro's distant past and even, in my mind, a future, final climatic battle to bring this mythology to a close. But while we wait, this new thematic trilogy offers many new adventures, heroes to cheer, monsters to fear, and an enticing look at the larger mythology of The Coming Evil Trilogy.

All books are available in print and on Kindle.

Wednesday, January 18, 2017

New Release--Infernal City!

Out today, in both print and Kindle editions, is my new supernatural suspense novel, Infernal City!


Here's what's on the back:

There are those who come to the City, looking to cut a deal for the cost of their souls, and the City always collects what it’s owed in the end. Quinn Holbrook is a Retriever for the City, tasked with tracking down those who, out of fear or desperation, would renege on their Faustian deals. When Quinn is given a job to hunt one of these “Runners” in the small rural town of Watcher’s Grove, he suspects it’s just another job. Yet, as he’s welcomed into this warm and loving community, he begins to doubt his convictions. But the Grove is not all it seems, harboring a secret that could spell the end of the City’s demonic reign. A battle is drawing near, and Quinn will have to choose, once and for all, where his allegiance lies.

Fans of my The Coming Evil Trilogy will recognize the City, as it's been mentioned in that series (as well as my other works, but more on that in a later post). Infernal City is a sort of "sidequel", taking place just down the road from Greensboro and the events in The Coming Evil.

This book also marks a return to the type of "small town horror" that I explored in my earlier books. My faith-based readers should find much to cheer for in this new tale. Infernal City is a romance, a mystery, and it's got a ton of strange new creatures. I hope everyone checks it out!

Here's what Mike Dellosso--author of Centralia and Kill Devil had to say about the new book:

"Infernal City is a mesmerizing story. Captivating. And Quinn Holbrook is a dude you just have to root for. Mitchell's way with words puts you right in the middle of the action. This is a story that will linger long after completion."

Sunday, October 2, 2016

New Release: Dracula vs Great White Shark!

Out now, just in time for Halloween, is my new novel--my first aimed at young readers--Dracula vs Great White Shark!

The cover, with art by Neil Vokes and Thomas Mason

For the last few years I've been writing movies for the Syfy Channel, with an emphasis on sharksploitation movies. Not that I just love sharks, mind you, but with the success of Sharknado, that's what the network wants. So, every year, I try and come up with some permutation on this strange subgenre of creature features to pitch to Syfy--among them was Dracula vs Great White Shark. Envisioned as an old-fashioned monster rally, where the icon of cinema's classic era of monster movies (Dracula) tangles with a modern day popular monster icon (the shark), I was immediately taken with the sheer ridiculousness of the concept, but also wanted to treat it as a straight-up story. This isn't a parody, but an ode to these two creature feature genres.

Syfy passed on the title (a number of times), but the more I thought about it, the more excited I became. My Dracula is in the tradition of Christopher Lee and Tomb of Dracula, and this story is designed as a sort of alternate take of the Demeter chapter of the original Bram Stoker novel. This is a fun "What-if" story, written for kids of all ages and, as such, is the first release under my new MonsterKid Press imprint.

Since I first began my writing career, I've tried so hard to be a "serious" author, writing "serious" fiction. Frankly, I just needed a break. I've always been inspired by the monster movies of my youth, but have always tried to "grow them up". This time around, I've put that aside. I wanted to write a fun monster book that was just that--fun. And what better time to release it than my favorite time of the year? Many of you have mentioned Infernal City, my next "adult" novel. Fear not, it's still on the way, but Dracula vs Great White Shark was a rabbit I had to chase. Expect Infernal City early 2017. For now, in celebration of Halloween, order a copy of Dracula vs Great White Shark, sit back, and have some good old-fashioned monster entertainment.

The book is currently available in print, with no immediate plans for a Kindle release. The cover art, done by veteran comic book artist Neil Vokes (Fright Night, Flesh and Blood), and colorist supreme Thomas Mason (who did both my Rift Jump covers) is simply too beautiful to be relegated to a screen.

And now, ABOUT THE BOOK, from the back copy:

The year is 1897.

Young thief Kamen is on the run, but he believes his luck has changed for the better when he stows away on board the Russian ship Demeter, on course for England. He befriends a mysterious black dog, as well as the captain’s daughter, Yana. But an ominous storm bears down upon the Demeter, and suddenly crewmen begin to disappear. What’s more, a Great White shark is stalking the boat, keeping an unnaturally steady watch. Kamen and Yana soon discover that not everything is as it seems on board the Demeter, and the young friends find themselves facing not only the notorious Count Dracula, but also a relentless shark. What will it take to stop the foes challenging the Demeter’s crew, and will the ship make it to England at all?

Tuesday, July 26, 2016

Summer Update: Ozark Sharks! Infernal City!

It's that time again. Summer is upon us and, with summer, comes a bevy of new sharksploitation movies for Syfy's annual Sharknado Week. Last year I was fortunate enough to contribute Zombie Shark, writing its screenplay. But this year, there's a new finned menace in the waters. I present to you...

OZARK SHARKS!


This was a fun one that I had the opportunity be involved with in the early stages of pre-production. I helped develop the project, writing its first draft and later serving as Associate Producer. Marcy Holland came in and did a super job making the script her own, but still very much honoring what I originally put in there, and I am forever grateful to her for that. She rocks. As with Zombie Shark, this one is directed by Misty Talley--the first woman director of one of these Syfy Channel Original Movies we're told! Pretty awesome. She does a killer job (no pun intended) and the cast is great, bringing together some of my favorites from my previous two scripted Syfy outings (Snakehead Swamp and Zombie Shark), as well as some talented fresh blood.

I hope you check it out when Ozark Sharks hits on the Syfy Channel, Thursday, July 28 at 8PM Central.

What else is going on? So glad you asked. I'm doing my final edits on my next novel, and hope to release it very, very soon. It's coming along and I'm anxious to see what you guys think of it. In the meantime, behold the cover!


Artwork Not Final

Expect a full reveal/synopsis in the weeks ahead, but Infernal City tells the story of a City that, quite literally, eats souls! This one has been in the works for awhile now and it's very much a return to the themes and "flavor" of my The Coming Evil Trilogy, that no fan will want to be without. I liken the new book as a first cousin to The Coming Evil, so keep checking back here as we get closer to its anticipated (at least by me) release.

In the meantime, Ozark Sharks!

Monday, February 1, 2016

"Keepers of the Dead"--An Interview with Bob Freeman

Mornin'.

Today, we've got a new interview with Bob Freeman, real-life paranormal investigator and writer of occult tales. Recently saw the release of Bob's new book from Seventh Star Press, Keepers of the Dead, the second installment in his Gothic horror Cairnwood Manor saga.

I always love having Bob stop by, so let's jump right into it:

Greg Mitchell: Bob! You’re back! And with the second novel in the Cairnwood Manor series: Keepers of the Dead. Tell us about it. 

Bob Freeman: Thanks for having me, Greg. Keepers of the Dead picks up a few months after Shadows Over Somerset and the stakes are much higher. Michael is just settling into his role as the alpha of the Cairnwood Pack when his whole world gets turned upside down and he is drawn into a conflict with a sinister cabal intent on raising a demon that’s been locked away in the belly of Rosslyn Chapel for centuries.

All the main cast is back for this one, plus, I hope, some interesting new faces.

GM: It’s funny; in preparation for the release of Book Two, I went back and re-read Shadows and kept thinking, “This is classic Bob Freeman.” You’ve got a Gothic Scottish mansion/castle in the Indiana heartland, with witches, werewolves, vampires, secret societies, occult detectivery (new word), and Conan-esque swordplay. It’s a very unique blend of a sort of “horror high fantasy” crashing into Small Town, America. I’ve never seen anything quite like it, and it’s pretty exciting. In our last interview, you talked about the real-life inspiration for the kernel that became the Wolves of Cairnwood, but when it came time to start putting pen to paper, what were some of your inspirations for crafting this surreal fantasy world? 

BF: Nick Mamatas and I had a chat at a convention a few years back and he said the biggest mistake almost every first time novelist makes is dumping everything they have an interest in into that first work.

Shadows being my first, I can honestly say, guilty as charged.

Dark Shadows' vampiric patriarch Barnabas Collins (Jonathan Frid)
I grew up obsessed with Universal Monsters, Dark Shadows, and The Night Stalker, and I read more than my fair share of gothic paperbacks as a kid living in rural Indiana. I discovered Lovecraft and Howard at a young age, and later was really into Katherine Kurtz’ Adept series. And, obviously, I’ve always had a fascination with the occult, its practices and practitioners. I think if you tossed all of that into a blender, mixed in my love for local history and folklore, a smattering of everything from William Castle to Terence Fisher, and Dan Curtis, plus a little Highlander and the gods only know what else that my primal brain has latched onto and you get the whole insane Cairnwood Manor saga.

GM: As it was with Shadows Over Somerset, I believe this is the second edition of Keepers of the Dead. Anything new to discover inside? 

BF: Well, it had a tighter editorial hand, a couple of name tweaks here and there, and prettier packaging, but the story stayed the same.

I’ve toyed with the idea of doing a major rewrite of the whole thing, but, it really is a kind of time capsule of who I was at the time, what kind of writer I was, and to alter it too much would disrespect that.

GM: I can understand that. I went through a similar process when reworking my Rift Jump stories from the original high school days to the "real" version. Trying to change it, while also keeping it true to who you were back in the day. 

So, you’re working on the next Cairnwood Manor book at the moment, correct? Is that the final one? What can you tell us about it—or is that a secret? 

BF: Without giving anything major away, Shadow of the Wolf has time-travel, alternate realities, and what I hope are surprising guest appearances by characters from some of my other works in store.


The story takes place roughly 15 years after the events in Keepers, but also spends a fair amount of time in the 1880s. There’ll be plenty of hairy action, romance, and swordplay, with, I hope, more of a gothic atmosphere.

Oh, and more magic. And electric light...

GM: That all sounds fantastic. I'm totally on board for that ride. And what of your other projects? I know you’ve got to be working on, at least, five other things right now, ha. Are we still looking at a revival of your paranormal investigators Wolfe & Crowe? What’s your signature creation Landon Connors up to these days? 

BF: I’m working on Shadow of the Wolf, of course, plus an occult detective fantasy novel, and a weird western, but my mind is constantly drifting into Landon Connors/Wolfe & Crowe territory. I just can’t help it.

I would love to find a publisher who was as interested in Wolfe & Crowe as I am. I still consider Descendant my best work to date.

As for Dr. Connors, he’ll be appearing in a month long serial on my website, occultdetective.com, throughout February, if the gods are willing and the creek don’t rise.

You know me, Greg, I’m a storyteller at heart. The medium isn’t as important as the story itself and I’m always looking for ways to get that story told in some fashion or another.

Readers are such a small audience and I’d swear 80% of them are writers.

GM: I'd believe that.

BF: I’m always looking for some way to get my stories out there. I recently adapted Mourn Not the Sleepless Children as an audio drama being produced by Openly Gamer and I wrote an episode for one of their upcoming ‘actual plays’.

I really dig the idea of cooperative storytelling. I’ve been playing RPGs for almost forty years and I’ve tried my hand at developing occult detective themed board and roleplaying games and could really see me heading even further down that rabbit hole.

GM: I would be remiss if we didn’t talk about your son, Connor. He’s got a new book out, as well—his debut! That’s gotta be great as a father, right? Spill the details, man! 

BF: Obviously I couldn’t be more proud.

Connor is home schooled and, when he was ten, my wife Kim and I decided to add creative writing to his curriculum. Well, he up and ran with it, creating Jonny Spencer and the Black Lich of Ashrock Earth.

His new project, Word Hollow, is a sort of midwestern gothic fantasy, with demons, werewolves, monster hunters, talking birds and cats, and more.

GM: Nice!

BF:He’s a very creative kid and he and I spitball ideas every day. I really am one lucky guy.

GM: One of the things I love talking with you is inspirations. What shows, movies, books, games has got you excited these days? 

BF: There’s so much great stuff out there:

In comics there’s Greg Rucka and Nicola Scott’s Black Magick, Tim Truman and Tomas Giorello’s King Conan: Wolves Beyond the Border, and Rich Douek and Brett Barkley’s Gutter Magic to name just a few.

I’ll continue to preach my love for the Lovecraft-inspired tabletop game Elder Sign. It has two expansions, Unseen Forces and Gates of Arkham, with a third coming out soon called Omens of Ice. What’s great about it is you can play it as part of a group or all by your lonesome.

I’m digging the X-Files revival and Lucifer on Fox, Syfy’s The Magicians, and the CW's run of superhero fare is must-see-TV at our house — Flash, Arrow, and Legends of Tomorrow. A friend of mine turned me on to a show out of New Zealand called The Almighty Johnsons that is absolutely absurd, but I couldn’t help but watch. It’s about these four brothers who are, it turns out, reincarnated Norse Gods.

What else? If you haven’t seen Crimson Peak, you bloody well should.

GM: I know, I know. That's on my list, when the Blu-Ray hits. I'm sorry to have missed that one in the theaters.

BF: I’ve been reading mostly bad paranormal non-fiction here lately, unfortunately. I get sent a lot of review material and most of it just isn’t up to snuff, you know.

I’m really hungry for a really great occult detective novel or a collection of short stories that goes above and beyond, something different and unexpected.

GM: Thanks, Bob, for coming out. Now I’m off to read more of Keepers of the Dead—now available in print and Kindle!

BF: Thank you, Greg. It’s always a pleasure.

Thursday, January 28, 2016

A Look Ahead

Happy (belated) New Year!

It's been forever since I've posted on here, mostly because I've been hard at work on a number of upcoming projects. Not only that, but I've been, frankly, trying to live my life a little. It's possible to have too much going on, and I was knee deep in that territory for the latter half of last year. So this year, I'm taking a bit of break. Still working, but these days I'm working more on my personal projects rather than "for hire" work--though there's some of that thrown in there, too.

So what's coming up?

First off, I'm pleased to announce that I have finished the manuscript to my seventh novel. Still have edits to do and then there's the question of what to do with it after. I've published my last three books on my own, without much success, to be honest. But I love the creative control and the freedom. Plus, with publishers becoming even more exclusive because of the increasing financial risk of publishing anyone who is not Stephen King or George RR Martin, I'm not sure where to turn. But that's all upsetting business stuff to worry about later. Right now, I'm focusing on just the simple joy of telling (and completing) a story. I don't want to say too much about it just yet, but what can I tell you about the next book? No title yet, as it keeps changing, but this is a story that I've been trying to tell--in one form or another--since 1998. In many ways, it's a return to my Coming Evil roots--simple people fighting off incomprehensible evil. It involves a City that devours souls, and centers on Quinn, a thuggish "Retriever" who makes sure that, well, let's just say he makes sure that the dinner doesn't scramble off the plate. It's a noir-type story, rife with monsters and a very faith-driven fight of good versus evil. Also, it fits squarely into my larger mythology. In fact, this book is the concluding chapter of my current "concept trilogy" that consists of HITMEN: Four Tales of Magick, Monsters, and Murder, and the Rift Jump duology. Together, they pull back the veil on the world introduced in The Coming Evil Trilogy, showing that the threat presented by the Strange Man has its roots in something much more cosmic. And that tasty morsel leads into my next announcement...

I've officially broken ground on the next Coming Evil novel. Still waaaay too early to say anything about that yet, but I've had this story in mind for many, many years. There are seeds of it sprinkled throughout The Coming Evil, and even more of its foundation is laid in the aforementioned "concept trilogy". I'm super excited about it, but nervous, as well. The Coming Evil has always been very special to me and I want to be extra careful to handle its continuation properly.

In other news, I've also had the opportunity to help develop another Syfy Channel Original. I'm buried way back behind the scenes on this one, but it's always fun to be involved in these creature features. Definitely can't talk about that one yet, but I'll be sure to keep you posted as the premier draws nigh.

Finally, my fellow Star Wars contributor Edward M. Erdelac and I have co-written an essay on that beloved saga to be included in Sequart's upcoming book A Galaxy Far, Far Away: Exploring Star Wars Comics. Very thankful to be included in this alongside other reputable Star Wars fans and authors. I think it's going to be pretty neat. Look for that later this year.

That's what I've been up to. I know I started this blog with saying that I wanted to be less busy, but, believe me--this is less busy for me :)

And, no, this won't be the last you hear from me for another six months. Coming up in the days ahead, I've got an interview with my buddy, paranormal investigator and author Bob Freeman. He's got a new book out!

Wednesday, October 21, 2015

Welcome to the Future

It has been a long time since I've been on this blog. In honor of Back to the Future Day, I wanted to take a minute and express my thoughts on this day, my own life, and--of course--the future.



I remember when I first saw Back to the Future II on home video and first witnessed Marty McFly heading to the far-off mystical date of October 21, 2015. I was just a little kid then, and never thought much about 2015, or where I would be in my own life by that point. In fact, as I grew up a diehard BTTF fan and watched the Trilogy on repeat for hours and hours--even as I spent nearly three years of my life writing a comprehensive guide to the chronology of the series (it's now on sale, go buy it)--I STILL gave very little thought about my own future, particularly what my life would look like on that date.

So, here we are: It's October 21, 2015. It is The Future.

This isn't where I thought I would be on this date, but I don't mean that in a negative light. For the most part, I have a great life. A steady day job, a happy marriage, great kids. Things are pretty great on that front.

But on this date, I'm also dealing with a lot of grief. Not even three months ago I unexpectedly lost one of my dearest friends, Zachary Malcolm to complications following a stroke. We talked a lot about this day, about the famed future as foretold by Back to the Future. We planned to be there together. And he's not here. I'm struggling with that a lot. Especially with this being Halloweentime, which was our time. Our time to revel in gothic Hammer Horror movies and talk about costumes and decorations and that most wonderful night when the monsters come out to play. He's not here, but I still feel him in the October Wind.

This has also been a time of great searching for me, in terms of my writing. Trying to figure out who I am as a writer. Who do I want to be, moving forward?

As I said, I always expected October 21, 2015 to just be a regular old Wednesday, but as it's turned out, this has been a very big day. Doors have been closed in my writing life--at least for the moment--while others are now widening with new possibility. No, I don't have any projects lined up--but that's the beauty of it. For the first time in YEARS, I have a clean slate. I have no stress, no deadlines, no commitments. I've been given an opportunity to enjoy my great life a little bit. To write for me. For fun, for awhile. Some things I hope to publish, others are just for me and my family to enjoy. But I've got that freedom now. I've been doing a lot of soul searching for the last few months--ever since Zach died. I've been lost, guys. And I've prayed that God would show me some direction. Throw me some clue as to what path I'm supposed to be on.

Today, He has. It's all come to a head on this day, of all days, October 21, 2015. For the first time, my future feels unwritten and I'm not scared about that. I'm hopeful, and I'm excited, and I know that God is not through me and that, together, we are not through with this writer's journey. I don't know where it's going to lead next, but that's okay. Where we're going, we don't need roads.

So I'm embracing my future, ready to push through and see what's beyond that time barrier. In the immortal words of Doctor Emmett Lathrop Brown, "Your future is whatever you make of it. So make it a good one."

I intend to.

--Greg Mitchell
October 21, 2015: The Future